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Ella Jane - Time On VERIFIED

Her debut EP, THIS IS NOT WHAT IT LOOKS LIKE!, was released September 10th, 2021, via FADER Label. Comprised entirely of material ella wrote in high school prior to her viral success the EP traces a period of self-discovery with incisive wisdom and whimsy.

ella jane - Time On

Having amassed a legion of fans and followers ahead of her freshman year at Tufts University, Ella entered one of the most exciting periods of her life confined to her dorm room as a result of the ongoing COVID pandemic. With an excess of time at her disposal, she spent much of the year fine-tuning a batch of songs that she had brought with her from high school, which would eventually become her debut project, THIS IS NOT WHAT IT LOOKS LIKE.

Spurred by the momentum, she dropped out of college and moved to Brooklyn to give the music all of her time. The songs she wrote during this period radiate with the coming-of-age urgency of that moment, and all the identity-affirming head rushes that came with it. Teaming up with producer Mike Irish, they aimed to keep the pop sensibilities of her earlier work as well as steer them toward a grittier place more akin to the sound of her alt-rock heroes. They landed at Marginalia; a concise offering of her most propulsive and assertive material to date that establishes Ella Jane as a formidable storyteller all while nodding to the process that got her there.

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Starting in third grade, Fitzgerald loved dancing and admired Earl Snakehips Tucker. She performed for her peers on the way to school and at lunchtime.[7] She and her family were Methodists and were active in the Bethany African Methodist Episcopal Church, where she attended worship services, Bible study, and Sunday school.[7] The church provided Fitzgerald with her earliest experiences in music.[8]

Fitzgerald began skipping school, and her grades suffered. She worked as a lookout at a bordello and with a Mafia-affiliated numbers runner.[12] She never talked publicly about this time in her life.[13] When the authorities caught up with her, she was placed in the Colored Orphan Asylum in Riverdale in the Bronx.[14] When the orphanage proved too crowded, she was moved to the New York Training School for Girls, a state reformatory school in Hudson, New York.[14]

On March 15, 1955, Ella Fitzgerald opened her initial engagement at the Mocambo nightclub in Hollywood,[36][37] after Marilyn Monroe lobbied the owner for the booking.[38] The booking was instrumental in Fitzgerald's career. Bonnie Greer dramatized the incident as the musical drama, Marilyn and Ella, in 2008. It had previously been widely reported that Fitzgerald was the first black performer to play the Mocambo, following Monroe's intervention, but this is not true. African-American singers Herb Jeffries,[39] Eartha Kitt,[40] and Joyce Bryant[41] all played the Mocambo in 1952 and 1953, according to stories published at the time in Jet magazine and Billboard.

Ella Fitzgerald Sings the Duke Ellington Song Book was the only Song Book on which the composer she interpreted played with her. Duke Ellington and his longtime collaborator Billy Strayhorn both appeared on exactly half the set's 38 tracks and wrote two new pieces of music for the album: "The E and D Blues" and a four-movement musical portrait of Fitzgerald. The Song Book series ended up becoming the singer's most critically acclaimed and commercially successful work, and probably her most significant offering to American culture. The New York Times wrote in 1996, "These albums were among the first pop records to devote such serious attention to individual songwriters, and they were instrumental in establishing the pop album as a vehicle for serious musical exploration."[9]

Fitzgerald also recorded albums exclusively devoted to the songs of Porter and Gershwin in 1972 and 1983; the albums being, respectively, Ella Loves Cole and Nice Work If You Can Get It. A later collection devoted to a single composer was released during her time with Pablo Records, Ella Abraça Jobim, featuring the songs of Antônio Carlos Jobim.

Verve Records was sold to MGM in 1960 for $3 million and in 1967 MGM failed to renew Fitzgerald's contract. Over the next five years she flitted between Atlantic, Capitol and Reprise. Her material at this time represented a departure from her typical jazz repertoire. For Capitol she recorded Brighten the Corner, an album of hymns, Ella Fitzgerald's Christmas, an album of traditional Christmas carols, Misty Blue, a country and western-influenced album, and 30 by Ella, a series of six medleys that fulfilled her obligations for the label. During this period, she had her last US chart single with a cover of Smokey Robinson's "Get Ready", previously a hit for the Temptations, and some months later a top-five hit for Rare Earth.

In her most notable screen role, Fitzgerald played the part of singer Maggie Jackson in Jack Webb's 1955 jazz film Pete Kelly's Blues.[45] The film costarred Janet Leigh and singer Peggy Lee.[46] Even though she had already worked in the movies (she sang two songs in the 1942 Abbott and Costello film Ride 'Em Cowboy),[47] she was "delighted" when Norman Granz negotiated the role for her, and, "at the time ... considered her role in the Warner Brothers movie the biggest thing ever to have happened to her."[43] Amid The New York Times pan of the film when it opened in August 1955, the reviewer wrote, "About five minutes (out of ninety-five) suggest the picture this might have been. Take the ingenious prologue ... [or] take the fleeting scenes when the wonderful Ella Fitzgerald, allotted a few spoken lines, fills the screen and sound track with her strong mobile features and voice."[48]

Fitzgerald also appeared in TV commercials, her most memorable being an ad for Memorex.[52] In the commercials, she sang a note that shattered a glass while being recorded on a Memorex cassette tape.[53] The tape was played back and the recording also broke another glass, asking: "Is it live, or is it Memorex?"[53] She also appeared in a number of commercials for Kentucky Fried Chicken, singing and scatting to the fast-food chain's longtime slogan: "We do chicken right!"[54] Her last commercial campaign was for American Express, in which she was photographed by Annie Leibovitz.[55]

Fitzgerald married at least twice, and there is evidence that suggests that she may have married a third time. Her first marriage was in 1941, to Benny Kornegay, a convicted drug dealer and local dockworker. The marriage was annulled in 1942.[65] Her second marriage was in December 1947, to the famous bass player Ray Brown, whom she had met while on tour with Dizzy Gillespie's band a year earlier. Together they adopted a child born to Fitzgerald's half-sister, Frances, whom they christened Ray Brown Jr. With Fitzgerald and Brown often busy touring and recording, the child was largely raised by his mother's aunt, Virginia. Fitzgerald and Brown divorced in 1953, due to the various career pressures both were experiencing at the time, though they would continue to perform together.[9]

Other major awards and honors she received during her career were the Kennedy Center for the Performing Arts Medal of Honor Award, National Medal of Art, first Society of Singers Lifetime Achievement Award (named "Ella" in her honor), Presidential Medal of Freedom, and the George and Ira Gershwin Award for Lifetime Musical Achievement, UCLA Spring Sing, and the UCLA Medal (1987).[80] Across town at the University of Southern California, she received the USC "Magnum Opus" Award, which hangs in the office of the Ella Fitzgerald Charitable Foundation. In 1986, she received an honorary doctorate of Music from Yale University.[81] In 1990, she received an honorary doctorate of Music from Harvard University.[82]

At least one good thing has come from my endless hours spent scrolling on TikTok: it was on the platform that I was introduced to artist ella jane. Though her musical catalogue was only four songs long at the time, I was immediately enraptured by her lyricism, indie pop sensibility, and of course, her relatable Gen-Z content.

To support the family, Joe dug ditches and was a part-time chauffeur, while Tempie worked at a laundromat and did some catering. Occasionally, Ella took on small jobs to contribute money as well. Perhaps naïve to the circumstances, Ella worked as a runner for local gamblers, picking up their bets and dropping off money. 041b061a72


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